A community is under siege as three Belmont Highschool coed students go missing with no trace of their whereabouts. The pressure is on the police to capture the culprits responsible. Scouring the school hallways in search of clues, undercover female detective Maggie Rawdon (Jessica Sonnerborn) enters Belmont High as a transfer student in an attempt to solve the hideous disappearance of the students. Maggie makes a few new friends, and gets invited to a private rave in the country. Just as the group begins to suspect that they've taken a wrong turn, however, the trap is sprung and Maggie finds out firsthand what fate has befallen the missing girls.

A group of friends have created a brand new subculture that is taking over the streets of Glasgow. They've established their very own fight club, but this is no ordinary wrestling event - this is brutal, riotous chaos. Fights don't always stay inside the ring, people are bounced off the side of buses and thrown off balconies in pubs. They now plan the biggest show of their lives. The stakes are high, will it bring them the fame and recognition they need to survive?

The Uprising Tour was Bob Marley's last tour before his tragic early death in May 1981. Marley's energetic, charismatic performance gives no indication that he was already ill with the cancer that would take his life less than a year later. This live show from Dortmund's Westfalenhalle was filmed for the famous German music TV series Rockpalast on June 13th 1980, featuring Bob Marley on superb form. Expertly delivering a set of hit singles and classic album tracks, Marley's energetic, charismatic performance includes I Shot The Sheriff, Get Up, Stand Up and No Woman, No Cry and the film has been substantially restored to a high level.

In this documentary Roy Lichtenstein is interviewed and discusses his life and art work, what influenced him, where his ideas came from, how his art adapted and how and why it changed over time. He discusses the Pop Art movement, a bit, mostly how he was one of a number of artists making art that was then called Pop Art. Also interesting is Lichtenstein tells what different art critics have said about different phases of his art and he shares his personal reactions to their statements. Additionally some footage of people criticizing and discussing his artwork is included, almost in a “he said, she said” manner which makes the viewer think about how sometimes what others say about an artist’s work may be a bit off or just wrong. Contrary to what non-artists may think, artists do usually have a reason or an inspiration behind what they create. Lucky for us this documentary allows us into the brilliant mind of Roy Lichtenstein.

Makar has spent years overseeing work at a collective farm. After he is asked to retire, it is time for Makar's son to take the reins. Yet the farm workers' hopes are soon dashed, and it is up to Makar to right the ship.

Based on the true story of Louis "Red" Deutsch. A New Jersey bar-owner is plagued with prank phone calls that prompt him to flip into psychotic, profanity-laden rages.

It has been two years since Bobby and Sue Ellen Ewing took over control of Ewing Oil. Although J.R. is successfully managing a large oil conglomerate, he wants to once again own his father's company. When he discovers that Ray Krebbs' land, which is heavily mortgaged, has undiscovered oil on it, he knows that if he plays his cards right, he can purchase the land and have enough money to regain control of Ewing Oil. But his business rival Carter McKay also has his eyes on Ray's property, and may soon join Bobby and Sue Ellen as an executive at Ewing Oil. Both parties hatch schemes in order to get what they want. (Written by Phil Fernando)

Ma and Pa, along with daughter Rosie, go off to Hawaii in answer to cousin Rodney's call for help running his pineapple farm while he recovers from an illness. Pa soon causes a major explosion and gets himself kidnapped.

A love triangle is complicated by unemployment, expectations and the living dead.

Scary tales featuring bloodthirsty supernatural forces, a séance gone wrong and bloodthirsty psycho killers.

An accountant named Lyubov conducts business correspondence with an employee of the company living at the northern meteorological station. In the course of communication, the heroes become sympathetic to each other, but soon the cyclone that hit the meteorological station breaks the connection. Having received no response to his messages, Love decides to go in search of his colleague.

A man and a woman quarrel in the street. Others take sides, and a brawl begins. The police finally intervene and justice is carried out in a manner befitting this stylised, slap-stick satire. - MIFF

Sensual love story about a single woman struggling with romance. Director Morikawa Kei won the Grand Prix at the 2015 Yubari International Fantastic Film Festival for Makeup Room. Yamagishi Shiori (Maru Junko) is a single 38-year-old woman working in the editorial department of a women's magazine. Workaholic Shiori's only diversion is watching erotic videos for women and indulging in fantasies of romance with her favorite male porn star Shunsuke (Arima Yoshihiko). Then, one day she covers a porn shoot for a feature story about popular male porn stars…

In the Californian part of the Sonoran desert, in the close vicinity of military bases, there is a “wild” town called Slab City inhabited by the refugees from the American Dream. Of different age, they brought with them various stories, but all chose freedom, even for the price of the most basic comforts. The only place equipped with electricity is a makeshift Internet café run by Rob which serves “the best coffee in the neighbourhood”.