The S. S. Claridon is scheduled for her five last voyages after thirty-eight years of service. After an explosion in the boiler room, Captain Robert Adams is reluctant to evacuate the steamship. While the crew fights to hold a bulkhead between the flooded boiler room and the engine room and avoid the sinking of the vessel, the passenger Cliff Henderson struggles against time trying to save his beloved wife Laurie Henderson, who is trapped under a steel beam in her cabin, with the support of the crew member Hank Lawson.

Violet, employed as a maid of Count Berkow, is wrongly accused of burglary of the Count. After an unjust prison sentence Violet travels to America.

An inspiring look at how wonderful birth can be when your right to choose how, where and with whom you give birth is respected & protected. Every woman has the right to be informed about their options in childbirth. Through an exploration of home birth, this 87 min film looks at what natural, physiological childbirth really is. Is birth a medical emergency waiting to happen or a profound, natural and physiological event that women are designed for? The most comprehensive film ever made on home birth and a voice of reason in the debate, The Face of Birth outlines the importance of education in birthing and the right of a woman to choose the best and safest birth method for her and her baby.

Psychological study of country girl Jitka and her blossoming love for an older man afraid of her youth and spontaneity.

One day, a man living in pain with a hole in his heart due to loneliness and solitude meets himself as a child.

A racer in the motorcycle sport called 'sidehacking' goes on a rampage of vengeance when his fiancée is raped and murdered.

Four interlocking stories about pregnancy all intersecting in an obstetrician's office.

Malcolm is on the verge of marriage and he wants Duncan to be his Best Man, but what is Duncan hiding? In this tale of deception, three of Australia's up and coming talents explore the question: How well do we know our friends?

Emin's video CV is an accompaniment to her work on paper, Tracey Emin CV 1995 (Tate T07632), which is a potted history of the artist's professional and emotional life from conception until 1995. This CV, read aloud by Emin, constitutes the sound-track to the video and provides contrasting background to the visual information on display. As Emin narrates her story of trauma and abuse, mixed with pleasure and success, the video takes the viewer on a journey through the artist's home. The artist is not visibly present in person until the last frames when she appears curled up naked on the floor of her sitting-room at the feet of her mother (who wears black sunglasses and looks away from both her daughter and the camera). Like Emin's handwritten CV, the video constitutes her self-portrait, in this instance adding the component of a journey around the space of her apartment to her narrating voice. -Tate

A portrait of Sonja, adventurer of the twentieth century, living on an island that she built by herself: Motu Maeva.

A succession of British soldiers are carried up a gangplank by stretcher-bearers from the quayside to a hospital ship at Durban; walking casualties make their way up a different gangplank.