If hugs are tangible why am I hugging the void

Μια εξωγήινη μορφή ζωής με το όνομα Χεντόρα, καταφτάνει στη Γη καταναλώνοντας αχαλίνωτα ρύπανση. Εκτοξεύοντας οξέα και διαβρωτική λάσπη, ούτε η ανθρωπότητα ούτε ο Γκοτζίλα μπορούν να νικήσουν αυτήν την τοξική απειλή, που στην πραγματικότητα αντιπροσωπεύει την απειλή της ρύπανσης του πλανήτη.

Ένα νεαρό κορίτσι πέφτει θύμα απαγωγής κατά τη διάρκεια μιας ισχυρής καταιγίδας. Η μητέρα της ενώνει τις δυνάμεις της με τη μυστηριώδη γειτόνισσά της, και ξεκινούν μαζί την καταδίωξη του απαγωγέα. Το ταξίδι τους θα δοκιμάσει τα όριά τους, και θα αποκαλύψει τα σκοτεινά μυστικά του παρελθόντος τους.

Dev Kumar Verma comes from a middle-class family and must find employment to support his dad and mom. Dev, however, has set his mind upon becoming a music sensation like Elvis Presley. He loses his job because of this, and refuses to work until and unless he gets a job to his liking, much to the dismay of his parents and his brother, Shiv Kumar. Dev does get employment at Charlie's Disco, where he meets with Maya and falls in love with her. When Charlie's Disco's competitor, Rana, finds out about Dev, he wants to hire Dev, but Dev decides to continue to work with Charlie's Disco, as a result Dev and Charlie get a beating by Rana's men, and Dev is unable to sing. After recuperating, Dev is devastated to find out that Maya and Shiv Kumar are in love with each other. What impact will this have on Dev and his brother on one hand, and what of his career in music?

February 1999. Both ceremonies disappeared before Mikiya Kuroiri. And a continuous hunting murder case that recurs to match it. Three years ago, he called himself a murderer. Mikiya vowed to continue believing. Mikiya begins investigating the murder case to prove the innocence of the ceremony. Meanwhile, Mikiya reunited with a senior high school senior, Sakuji Shirazumi, triggered by a drug case.

While under the care of the Outer Sailor Guardians, Hotaru begins to age rapidly. Then, the time comes for all the Sailor Guardians to reunite!

Ο Άιρον Μαν κι ο Κάπτεν Αμέρικα μάχονται για να σταματήσουν τον Τασκμάστερ και το Κόκκινο Κρανίο από το να εξαπολύουν τον στρατό της Ύδρας.

San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.

The Making-of James Cameron's Avatar. It shows interesting parts of the work on the set.

Roughly chronological, from 3/96 to 11/96, with a coda in spring of 1997: inside compounds of Aum Shinrikyo, a Buddhist sect led by Shoko Asahara. (Members confessed to a murderous sarin attack in the Tokyo subway in 1995.) We see what they eat, where they sleep, and how they respond to media scrutiny, on-going trials, the shrinking of their fortunes, and the criticism of society. Central focus is placed on Hiroshi Araki, a young man who finds himself elevated to chief spokesman for Aum after its leaders are arrested. Araki faces extreme hostility from the Japanese public, who find it hard to believe that most followers of the cult had no idea of the attacks and even harder to understand why these followers remain devoted to the religion, if not the violence.

On his journey towards becoming a film director, Cole discovers an insight that flips his perspective on his way of living.

Tension mounts between a quadraplegic man and his wife as she prepares a bath for him.

Το μακρύ και ζόρικο ταξίδι των Έλρικ ολοκληρώνεται σ' αυτό το επικό φινάλε, στο οποίο τα αδέλφια έρχονται αντιμέτωπα με κάτι απόκοσμο που απειλεί όλη τη χώρα.

Originally released in Japan as "The Return of Godzilla" in 1984, this is the heavily re-edited, re-titled "Godzilla 1985". Adding in new footage of Raymond Burr, this 16th Godzilla film ignores all previous sequels and serves as a direct follow-up to the 1956 "Godzilla King of the Monsters", which also featured scenes with Burr edited into 1954's "Godzilla". This film restores the darker tone of the original, as we witness the nuclear destruction of giant lizard terrorizing Japan.

They have been together for four years. Mitya is an IT specialist, works from home. Nastya works on her relationship with Mitya. Their relationship is full of anxiety and excessive attention, which leads to tedious dialogues. These dialogues cause coldness, aloofness and provoke the need for further clarification. Recently Nastya went to therapy...

Ένας πράκτορας της Δίωξης επιστρέφει στο σπίτι του μετά από μια αποτυχημένη αποστολή και πρέπει τώρα να προστατεύσει την οικογένειά του από έναν πρόσφατα απελευθερωμένο κατάδικο...

Η Πιλ είναι μια νεαρή ορφανή που ζει στη μεσαιωνική πόλη Ομιχλούπολη. Μια μέρα, ο Τρίσταν, ο άκαρδος αντιβασιλέας, καταριέται τον Ρόλαντ, διάδοχο του θρόνου, και τον μεταμορφώνει σε «γατόκοτα» (μισό κοτόπουλο, μισό γάτα). Για να σώσει τον Ρόλαντ και το βασίλειο, η Πιλ ξεκινά μια αναζήτηση για το αντίδοτο. Ο Κρόμπαρ, ένας άγαρμπος φρουρός με καλή καρδιά, ο Κουδουνάκιας, ένας νεαρός γελωτοποιός, και η παρέα των τριών κουναβιών της, την ακολουθούν. Από το Καταραμένο Δάσος έως το Λαγκάδι του Θηρίου, η Πιλ και η απίθανη συντροφιά της θα ζήσουν τη μεγαλύτερη περιπέτεια. Και θα βρουν την οικογένεια που δεν είχαν ποτέ.

Με κομποσκοίνια στο ένα χέρι και ένα τσεκούρι στο άλλο, ένας μοναχός κυνηγά ένα πνεύμα που καταλαμβάνει τους ανθρώπους και προκαλεί κόλαση στη Γη.

Amanda realizes that her perfect husband is having an affair. Instead of confronting him, she teams up with his husband's lover to understand what went wrong and win him back.

When his daughter is murdered, William Duncan takes the law into his own hands, setting out on a quest for retribution. After killing the street thug responsible for her death, he finds himself in the middle of a war with the thug's brother, father, and their gang, who are equally hell-bent on getting even. What ensues is a tense back-and-forth game of vengeance. By the end, William comes to find that the quest for revenge never has a winner.