Quietly selfish, full of grandiose dreams, and fundamentally cold and insensitive toward those around him, Mert is an immature man in his early-30s who resides in a middle-class neighborhood in Istanbul. When he has to deal with his father's funeral preparations in a small town surrounded by tea plantations in the hills of northeastern Turkey, he finds himself trapped in the discrepancy between the world he has selfishly dreamed of and the world in which he actually lives. During the three days in the town, as he ignores every problem that he encounters, he can’t really help facing painful, tragic, and tragicomic experiences which lead him to go through inevitable moments of an instant and intense growing-up story while he discovers that the already existing cracks in his life are growing wider and deeper by the hour.

Three friends are arrested after committing an accident with their car. After finishing their sentence, they become partners with the owner of a decoration workshop. But he deceives them and spends the money in gambling. They force him to sign a waiver of his workshop but he wants to get it back.

A successful and popular nightclub owner who believes financial independence is the path to equality and success, must act as a go-between for militant-minded brother and the white gang syndicate his brother has attacked and robbed. Their involvements lead to a breathless race course chase, the destruction of a dopepusher and a violent waterfront climax.

San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.

With more than 50 million Latinos now living in the United States, Latinos are taking their seat at the table as the new American power brokers in the world of entertainment, business, politics and the arts. As Latinos’ influence in American society has soared, they have entered mainstream American culture, and the proof is in the music. Executive produced by legendary music mogul Tommy Mottola, THE LATIN EXPLOSION: A NEW AMERICA features a dazzling array of artists at the center of Latino cultural power and influence, including Marc Anthony, Emilio Estefan Jr., Gloria Estefan, José Feliciano, Eva Longoria, George Lopez, Jennifer Lopez, Los Lobos, Cheech Marin, Ricky Martin, Rita Moreno, Pitbull, Romeo Santos, Shakira, Thalía and Sofía Vergara. Narrated by John Leguizamo.

A dystopian coming-of-age movie focused on three kids who find themselves in an abandoned amusement park, aiming to unite whoever remains. With dangers lurking around every corner, they will do whatever it takes to survive their hellish Neverland.

Highland Sunset and a final look at Class 37s on the West Highland Line to Fort William before the introduction of Class 66s. Crewe Open Weekend with a tour of Crewe Works during the open weekend of the 20th and 21st of May with a variety of traction plus coverage of specials to the event with 33 and 37 hauage. Class 58 Profile with only half of the original class still in action we take a look at the class from the 1980s to the present day. Devon Contrasts and Class 67 and 47 motive power along the famous stretch of sea wall from Starcross to Dawlish.

Alix Cléo Roubaud, a photographer, describes her images to Eustache’s son Boris. An “essay in the shape of a hoax”, Eustache’s last film wittily questions the relationship between showing and telling as it gradually shifts Alix’s narration out of sync with what we see.

It's A Bugs' World! Diego and Kicho magically shrink to bug size to rescue Benito the Beetle's dance partner. Help them past giant frogs, anteaters, and even rain to get through Bug World! Diego The Hero! Diego and Baby Jaguar need to help Alicia and some

As the silhouette of a lonely girl runs through the woods, something in the shadows is lurking her.

Covered in ice and snow, Elior Forest is the home to dangerous magical beasts and 50 elves frozen in ice. One day, the great spirit Puck helps a young girl break out of her ice prison. Her name is Emilia, a half-elf born with silver hair, long ears, and amethyst eyes—features that resemble the evil Witch who destroyed half the world long ago. Shunned by society because of her appearance, Emilia dwells in the forest with Puck as her sole companion and family. Burdened with a sin of destruction she does not remember committing, she spends her days trying to find a way to help her frozen kin. But when the great spirit Melakuera, the Arbitrator of the world, finds Emilia, her right to stay alive is brought into question. Will the bonds of ice she formed with Puck prove to be the warm thread that defies fate?

Known for his unmistakable cascading strings and recordings such as Charmaine, Mantovani enthralled the world with his sublime arrangements. This is the story of the man and his music.

When Jason Dyson refuses to make his prized fighter throw an MMA match, a notorious gangster collects his debt by killing the fighter and kidnapping Jason's daughter. Now he must train a prisoner to endure five consecutive underground fights to save her.

Ruth Butler, a clerk in an emporium, marries Jimmy Rutledge and thereby greatly displeases his mother, the owner of the emporium, because of Ruth's lowly origins. Renaud Graham, one of Mrs. Rutledge's friends, becomes interested in Ruth, forces his way into her apartment, and attempts to make violent love to her. Jimmy walks in on their embrace and, suspecting the worst, leaves Ruth. In the family way, Ruth finds refuge in a boardinghouse where she meets Al Bryant, an aspiring writer. Ruth tells Al her life story, and he makes it into a bestselling novel and then into a play. Jimmy sees the play and comes to his senses, winning Ruth's forgiveness.

A Broadway actress uses her sex appeal to ruin a marriage only to dump her lover for a richer prospect.

María José and Alfredo are about to celebrate their 20th anniversary and their children give them a trip to the hotel where they celebrated their honeymoon, but a spell will make them repeat the same day.

Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.

Anna is a woman who sells flowers at the local market and whose only hope and joy in her life is her only son Amaurys. Raul, Amaurys' best friend, involves him in a drug deal which results in his death.

On the island Tiengemeten, thirteen miles south of Rotterdam as the crow flies, all roads come to a dead end. Behind the dykes is water and wilderness. Here, among these dykes on 1700 acres of fertile land, director Digna Sinke filmed from 1996 how Tiengemeten is intended to become a stretch of wild nature, as part of a conservation plan. This is easier said than done. Alternative land with living accommodations has to be provided for six farming families. This comes through for five, but not for Leen Vos. Sinke also filmed how project groups regularly come and take a look and call meetings. Tiengemeten will be divided into three sections: Wistfulness, Wilderness and Wealth. However, nobody knows how the plan will work out. The negotiators allow farmer Leen Vos to stay until 2007. Until that time, the project cannot be carried out. Sinke just keeps filming, in her restrained, observant style, devoted to the magnificent scenery.

Horny Teenagers Must Die is an over-the-top homage to '80s slasher fare with a difference, pitting a tale of sexual intrigue and weekend hedonism against a violent and bloody dead-teens-in-the-woods backdrop. A group of recent high school graduates head out into the woods for a weekend of sex, drugs and booze-drenched debauchery...only to meet their maker at the hands of a demented killer who uses anything from farm tools to sex toys in a non-stop orgy of eye-popping slaughter. Part pitch black comedy, part body count horror, Horny Teenagers Must Die. fuses the narrative structure of the Friday the 13th movies with the caustic wit of Heathers and the gory, anarchic insanity of cult classics like Re-Animator, Street Trash, Cabin Fever and The Evil Dead.