After the death of their abusive father, two estranged twin brothers must reunite and sell off his property.

A humor-inflected history of the of the number one, covering military applications in ancient Rome, the measurement of distances in India, and the decimal system created by Leibnitz.

Celebrate the 50th anniversary of the groundbreaking sketch comedy with appearances from Burnett, original cast members Vicki Lawrence and Lyle Waggoner, costume designer Bob Mackie, and a slew of special guests.

Since 2013, Nixon Newell has travelled the world as a professional wrestler. This is the story of her goodbye to independent wrestling.

A cinematic ode to actor Adolf Dymsza, one of the biggest stars of pre-war Polish cinema. The film combines footage from Dymsza's new movies and contextualises in the frame story of Mr. Dodek, a retired actor who recounts his past exploits while trying to earn an allotment for a plot of land.

After fleeing a backwoods cult, a woman tries to turn her life around by taking a job in a home for special needs adults only to discover that she must face her dark past to save a down syndrome girl.

A young man from Sri Lanka, living in Switzerland, loves a Swiss woman, whom he met at the Restaurant he works at. But his parents have already set the engagement with a Tamil woman.

Documentary about the life and work of Carlos Inzillo, a cultural reference for jazz in Argentina, creator and coordinator of a series of jazz concerts that have been held every Tuesday in the City of Buenos Aires since 1984.

Laine is a college girl from a bland middle-class suburb in Latvia. As Laine’s father distances himself from his crumbling marriage and his family, Laine is unable to cope with the separation and discovers the edgy Riga party scene, where she falls in love with seasoned raver Gunda. Going from rave to rave, the girls journey into a drug-fuelled underworld of anarchy, freedom and exploration.

If hugs are tangible why am I hugging the void

It is a documentary that traces the course of different Venezuelan refugees who arrived at different periods in recent years in Brazil. From Pacaraima (Roraima's border with Venezuela), Fortaleza and Rio de Janeiro, passing through the shelters of Boa Vista.

The Glass Agency is the story of a war veteran living in post war Iran. It depicts veterans who are suffering from social problems after the war. Society does not understand them and the standard social norms are not in harmony with their personalities.

Infinite struggles among four men in their twilight years, confined in a hospice facility or home for the aged. Their gray hair grows and fades unnoticed, their lives enter the void of oblivion. Everything unfolds so naturally into their swan song until their body pains and heartaches yield the same intensity, when their hearing and their feelings become permanently impaired; and when their blurry vision and memories become “clear” signs that the inevitable state of death is as fleeting as the vibrancy of life itself.

“…Railroad Turnbridge is about the meeting of machine and machine [camera and bridge] and how they and their movements, sometimes parallel, sometimes in opposition, frame the landscape which surrounds them. A shot of the landscape seen through the rectangles of the bridge’s opening, the bridge [becomes], in movement, a giant extension of the camera viewfinder…” Amy Taubin, Soho News

Inflation (1928) is an experimental silent film at eight minutes which is sometimes categorized as a documentary. By now Richter is well beyond playing with light & shadow. Inflation explores the subject of money through photographs & with with stop motion animation techniques, adding faces of people impoverished & enriched by the unpredictability of finance. It functions almost as a political cartoon in motion, building to a chaotic & catastrophic climax.

Vivo en Buenos Aires es un DVD (obviamos el comentario del CD, que contiene siete temas menos, por razones obvias) de interesantísima factura artística y que muestra cabalmente lo que ofrece Kevin Johansen en cada una de sus actuaciones, manteniendo el mismo espíritu incluso de aquellas series de actuaciones en lugares intimistas como Notorious hace ya casi una década. Una suerte de grandes éxitos en vivo que no admite demasiados reparos, más allá de las preferencias personales de cada uno (me anoto, total es gratis, con La procesión, Me fui pa'l Monte, No me abandones, Ni idea). Kevin Johansen tiene, en The Nada, a un combo numeroso que no solamente patea hacia el mismo arco sino que, conscientes de sus bondades y limitaciones, se la pasan entre ellos; y encontró en Liniers a un aliado no forzado que ha sabido comprender (y reflejar) con certeza para qué lado queda el arco contrario. Y todos disfrutan. Arriba y debajo del escenario.