Camelia and Sarah in the last spring of the eighties...their last days of innocence a story told twice by 2 different girls or rather 2 similar girls.

Interviews with cast and crew on the Villa Arabesque Mexico set of the James Bond movie Licence to Kill (1989).

Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.

Ashton Redding, a mailroom attendant at Brev Corp, is lured into a strange bond with the Phototron 69 photocopier machine in the office... (ALTER)

A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.

Ένας υπάλληλος προσπαθεί να αγοράσει ένα διαμερισματάκι για να το δώσει προίκα στη μικρότερη αδερφή του, και ζητάει δάνειο από το αφεντικό του.

A band of samurai warriors places a curse on a family fortune thus frustrating the heir 4 centuries later.

8mm film by Swiss artist Roman Signer.

Kaori is an intense kendo fighter who has been training since she was young. Sanae is a girl who has only participated in kendo casually, but somehow manages to beat Kaori in the final tournament of junior high school. Although Sanae doesn’t particularly care about it, Kaori holds a grudge, setting up a rivalry that bleeds over into high school.

Without question, this is an incredibly bizarre production. The revised storyline makes little sense, and there is a surprising amount of violence and sexual innuendo. However, the singers are superb, both vocally and in regard to their stage presence and acting, the orchestra plays beautifully, the chorus is wonderful, and the set is as clever as it is strange. It's definitely not for purists, or for someone new to this particular opera. But for someone who's seen Die Entfuhrung before, and is familiar enough with the original story to not miss it, watching Belmonte, Constanze, Blonde, Pedrillo, and Osmin embark on an entirely new adventure -- and push the boundaries of good taste -- is rather enjoyable.

The film was inspired by one of the most important documentaries shot by Krzysztof Kieślowski, Talking Heads (1980). The director asked his interlocutors seemingly simple questions, such as “Who are you?” and “What do you want?”.

Highland Sunset and a final look at Class 37s on the West Highland Line to Fort William before the introduction of Class 66s. Crewe Open Weekend with a tour of Crewe Works during the open weekend of the 20th and 21st of May with a variety of traction plus coverage of specials to the event with 33 and 37 hauage. Class 58 Profile with only half of the original class still in action we take a look at the class from the 1980s to the present day. Devon Contrasts and Class 67 and 47 motive power along the famous stretch of sea wall from Starcross to Dawlish.

A portrait of village life in South Thailand, home of retired Malay-Muslim members of the communist party of neighboring Malaysia. Recollections of the decades-long guerrilla war are interspersed with a Thai radio soap opera.

A lot of hell and very little heaven heaven among homeless and damaged characters in Stockholm. The young heroin addict couple, the slippery pimp, a mentally ill poet, are some of the personalities we are being served.

Jeffrey Gilham had a perfect life. He lived on a river in the heart of Sydney's affluent Shire district. He was handsome, educated, a champion athlete, and a model son from a perfect family. So why, on a freezing morning in 1993 did this model son butcher his parents and brother? Or did he?

A petty hoodlum pulls jewellery store heists in broad daylight. The cop on his tail knows he has accomplices and focuses on the gangster's girl friend is his attempt to catch him.

A man with some sense of intestinal urgency needs to find the right door at a railroad station. He chooses... the wrong door.

A family, trying to pull themselves together after losing their infant son, moves into a new home, where, almost immediately, the mother begins experiencing paranormal phenomena. She finds it playful at first, but as it grows increasingly malevolent, she is unable to convince her husband of it, and she must contend with it to protect her family from its influence.