In this horror-drama the festive fun of the annual Mardi Gras celebration is brought to a halt when a swarm of African killer bees escape from a foreign freighter.

Jose and Diana fall in love while living a world of drug trafficking.

Apathy, technology, paranoia, disease and medication. Meet Arin. Arin is a shy videographer who finds it too much to handle to go out and meet girls, so he sets up an account on meester.net. The flood of responses never comes, save for one email from Susan, a struggling artist who finds her job as a waitress stifling her creativity. Susan is also on the shy side and is seeking an alternative to the classic dating situation. When Arin and Susan finally meet, that alternative dating situation comes to life as the two refuse to communicate verbally with each other, wanting to avoid bs small talk.

Matthew Greco is fascinated by death. As a successful artist, he paints gruesome portraits of murders and suicides. Yet, despite his success, he is unhappy and alone. In desperation, he answers a phone sex ad and becomes entangled with Edna; a woman who seems to share his morbid desires and strange needs. They decide to meet one another in person, but the rendezvous goes horribly wrong when Matthew finds Edna dead – or is it Edna?

Five magical boys, known as the Starseekers, must fight against an unknown power that seems to be on the hunt for them.

A woman is kept sedated by a cold-blooded kidnapper.

Sonbert was also a noted opera critic, and he frequently theorized about the relationship of film to other art forms, in particular, music. He analogized the notes, chords, and tone clusters of music to the progression of shots in film. The shot was the building block upon which Sonbert created the musical rhythms of his films. Sonbert published excerpts from his feature-film screenplay adaptation of Strauss' Capriccio, his favorite opera, in 1986. Short Fuse, completed six years later, can be seen as a return to Capriccio's themes, including 'Nazism and eroticism, beauty and force, detail and structure.' (William Graves) Underscoring a question raised by Capriccio--whether in opera the music or the libretto takes priority--Short Fuse is replete with a soundtrack that counterpoints the film's visuals, prompting the viewer to ask whether the music or the imagery predominates. -- Jon Gartenberg

Mallory, who’s biggest fear is growing up, is thrown a surprise party she didn't want until an old friend shows up.

Self-flight heroes Nelson Tyler & Bill Suitor, join forces with rookie David Mayman on his gravity defying quest to build & fly the world's first Jet Pack.

On a dark and stormy night, Death pays a visit to a very old lady and her dog.

Following the recent death of Ken Russell, Alan Yentob looks back over the career of the flamboyant film director responsible for Women In Love, Tommy and The Devils. Friends and admirers - including Glenda Jackson, Terry Gilliam, Twiggy, Melvyn Bragg, Robert Powell and Roger Daltrey - recall a pioneering documentary-maker, talented photographer and fearless film director.

Hector works as a night watchman. He takes care of his brother who has a physical and mental disability. Hector fights every day to get ahead, but the problems accumulate. A pending trial, a stressful job, an abusive father ... Hector is trying not to sink, but only gets to live in a permanent lethargy. A lethargy that can be dangerous to wake

A grocery store's carts are going missing and David is not the one to find them.

Paul leaves his wealthy parents behind to go on a spiritual quest. He meets up with a pilgrim, leader of a vegetarian cult whose members survive by begging for food in uncomfortable robes. The religious fanatics draw the ire of local peasants when they are arrested for stealing eggs. Marianne is one of the followers, and she and Paul go to a remote island to live off seaweed and vegetation, but a development company moves in to wreck the paradise. Paul is brokenhearted when Mariane goes off with one of the greedy developers in this symbolic film that decries the allure of the material world.

The three sons of a Mexican family emigrated to USA end up fighting in WWII.

Jeune Cinéma is a footage film documentary about the famous yet forgotten Hyères Film Festival which took place from 1965 to 1983. It was at that time the most important in France just after the glamorous Cannes Film Festival and a friendly place to discover young directors such as Gilles Garrel, Akerman, Helma Sanders, Schroeter or Carax before they became a legend for the art-house film amateurs. Hyères was a vivid space for passionate debates, incredible polemics and above all surprising encounters. In a word, it was THE place to be for all the cinephiles. If it suddenly disappeared in 1983, it is not only because of internal and political conflicts but also for an unfair competition with Cannes. The « Perspectives » section at Cannes, widely inspired by Hyères, was attracting those same young talents discovered there. My personal history as a filmmaker is deeply tied to the “Collectif Jeune Cinéma”, which was in charge of the “Cinéma Différent” section.

The movie tells about quotation gangs in Kerala. How youth get involved with all antisocial activities like Ganja mafia.

Alex and her boyfriend, Henry, struggle to connect in their secluded home in the woods after the recent death of Alex's father. However, following a trip to the market and a recent outbreak, Henry is attacked by a presumably homeless person forcing the couple to realize how much they truly mean to one another. As the film progresses the couple's newfound connection is met with even greater strife.