Conor Bateman has sliced clips from (mainly American) horror films in which a cinema audience is slain schlockily in a theatre – an overlooked, self-reflexive trope across the genre. In each sequence, the screen is masked out to reveal the prior sequence: each audience is successively watching the killings that we, the actual audience, have just seen. The onscreen audience never leaves the theatre – there’s nowhere else in this world beyond the cinema, and the scenes of entrapment and containment play out in similarly-framed spaces of chaos (what if what we watched onscreen leaked out?). Without a scrap of ideology-addled earnestness, the tone moves from playful to inevitable. Like a game, it all loops together in an oddly fun, self-sustaining spiral of dramatic irony.

A day in the life of John Lennon, alive and well in modern-day New York City. The former Beatle squabbles with a security guard, commiserates with his best friend over lunch, and upsets a bully.

A comedy about a naive young architect and his wild designs for a “New Moscow.” The Soviet censors weren't at all amused and shelved it.

Two Los Angeles cops go undercover to investigate the distribution of steroids to wrestlers and body builders.

When '80s B-movie icon Tim Thomerson wakes up one day to realize the acting roles are not coming his way any more, he sets out on a quest to find his former co-star Lance Henriksen to discover his secret of Hollywood longevity and gets more than he bargained for in the process.

The story of Charlotte Brown,a waitress and young single mother who will do anything for her daughter Jenny, and when push comes to shove, she does. With a menacing figure on the other end of the phone and a time limit of two hours,she must raise enough money to ensure that she sees the smiling face of her child again. Charlotte's customers are her only hope. The clock is ticking as we see the desperate young mother dealing with one eccentric customer after the next, displaying her charming vulnerability and inspiring strength through all the chaos. With her feet firmly planted on the ground, Charlotte maintains her focus and attempts to beat the clock and save the day.

Gote and Eli are two aging friends who don't want to age. Gote is a lifeguard who's fighting peepers on the Tel-Aviv beach. Eli is a guitar player who dreams of building a night club in altman's restaurant.

Miss Yamagami is beautiful with a willowy figure and slender legs. She seems out of place teaching in an all boys school. The young school marm is fully aware of her power over the impressionable boys in school and it satisfies her vanity. She stirs up their nameless longings until they are carried away and resort to acts on which Miss Yamagami had not counted on.

Charlie (Guy Marchand) returns home after being declared legally dead to reclaim his wife Georgia (Caroline Cellier) and cash in on a lucrative life insurance policy in this shadowy drama. He finds Georgia is married to the crooked cop William (Niels Arestrup), who has his eye on the insurance money. Antihero Charlie and the villainous police inspector head towards an inevitable confrontation, while Georgia is caught in the middle.

This entry in the Crime Does Not Pay series focuses on charity fraud. Two scam artists set themselves up as 'philanthropists' to help raise money for a local clinic, but the funds they raise never get to help the people who need it.

A young man and woman are determined to marry despite opposition from her parents.

An upcoming national tour could be the big break for small town rock sensations “The Living Daylights.” However, the disappearance of the lead singer’s girlfriend, who is also the bands manager, and the devastating secret she harbors could mean the end to it all. Inspired by true events.

Described as a high-concept international thriller that has a badass Running Man meets Bloodsport vibe.

In the vast wilderness of Alaska the earth is changing, threatening the history and culture of native peoples, natural landscapes, and the habitats of wild life. Between Earth and Sky examines how climate change is rapidly affecting Alaska, and will soon affect us all.

Emin's video CV is an accompaniment to her work on paper, Tracey Emin CV 1995 (Tate T07632), which is a potted history of the artist's professional and emotional life from conception until 1995. This CV, read aloud by Emin, constitutes the sound-track to the video and provides contrasting background to the visual information on display. As Emin narrates her story of trauma and abuse, mixed with pleasure and success, the video takes the viewer on a journey through the artist's home. The artist is not visibly present in person until the last frames when she appears curled up naked on the floor of her sitting-room at the feet of her mother (who wears black sunglasses and looks away from both her daughter and the camera). Like Emin's handwritten CV, the video constitutes her self-portrait, in this instance adding the component of a journey around the space of her apartment to her narrating voice. -Tate

Lucien Knops (Nand Buyl) is a grumpy old man. When his wife passes away, he moves in with his daughter Gerda. It doesn't take long before tensions rise and Lucien moves back into his old house, claiming that his new lover will move in with him. Gerda is worried that she will miss out on her father's inheritance; even more so when an interesting new woman moves in next door to Lucien.

Trapped in the web of ethnic strife in the brutal underbelly of Karachi, Gardaab is a tale of two lovers' journey, as they struggle to break away from the unending cycle of violence that haunts the metropolis.

Under the shade of a lemon tree, Osvaldo is at the grill while talking with Horacio, his new neighbor. Everything is going well until Osvaldo discovers Horacio's trade: Uber. Horacio also discovers Osvaldo's: Taxi driver, rivals.

This documentary is featured on the DVD for Captain Blood (1935), released in 2005.