Mickey is a railroad engineer with an anthropomorphic locomotive. He feeds the train (coal), then feeds his dog, then makes lunch for himself. Minnie drops by and plays a tune on her fiddle while Mickey dances. After lunch, the train has trouble climbing a hill, and the last car with Minnie aboard detaches and runs away.

While Tom Cat goes away hunting, Mickey, Minnie, and their mouse friends break into his house and perform music. They play various tunes on the piano while the other mice hit household objects in tune to the music.

Λονδίνο, 1929. Ο Φρανκ Γουέμπερ, ένας πολυάσχολος ντετέκτιβ της Σκότλαντ Γιαρντ, φαίνεται να ενδιαφέρεται περισσότερο για τη δουλειά του παρά για την Άλις Γουάιτ, τη φίλη του. Νιώθοντας ότι αγνοείται, η Άλις δέχεται να βγει με έναν κομψό και καλομαθημένο καλλιτέχνη, ο οποίος την προσκαλεί να επισκεφθεί το φανταχτερό διαμέρισμά του.

Early morning silence is broken by screeching tires as a helicopter bears down on a speeding vehicle. Taking a quick corner, the team tumbles out into the woods as their car pulls away. Now they must make their way through the thick of nature and thick gunfire to accomplish their mission. Not a single word of dialogue is spoken throughout the entire film. Instead, the music, sounds, images and deeply truthful acting turn a simple plot into an intense experience. Passion and intrigue keep building to the very end.

Extraterrestrials contact earth in this delightful fable. Their message is "HELLO" in many languages, and there is a celebration.

The U.N.G.C.C. (United Nations Godzilla Countermeasure Center) recovers the remains of Mecha-King Ghidorah and construct Mechagodzilla as a countermeasure against Godzilla. Meanwhile, a giant egg is discovered along with a new monster called Rodan. The egg is soon found to be none other than an infant Godzillasaurus.

Looping, chugging and barreling by, the trains in Benning's latest monumental film map a stunning topography and a history of American development. RR comes three decades after Benning and Bette Gordon made The United States of America (1975), a cinematic journey along the country’s interstates that is keenly aware “of superhighways and railroad tracks as American public symbols.” A political essay responding to the economic histories of trains as instruments in a culture of hyper-consumption, RR articulates its concern most explicitly when Eisenhower's military-industrial complex speech is heard as a mile long coal train passes through eastern Wyoming. Benning spent two and a half years collecting two hundred and sixteen shots of trains, forty-three of which appear in RR. The locomotives' varying colors, speeds, vectors, and reverberations are charged with visual thrills, romance and a nostalgia heightened by Benning's declaration that this will be his last work in 16mm film.

A film director fades away from the industry after the failed love with the heroine of his movie. After being rehabilitated, he learns that some people conspired his fall and decides to take revenge.

This film is a mix of landscape images seen from train windows and the patterned shapes and shifting tones of moving-visual-thought thus prompted; it was inspired by Robert Breer's FUJI.

Ophelia, a young nun recently arriving in the town of San Ramon, is forced to perform an exorcism on a pregnant woman in danger of dying. Just when she thinks her possession has ended, she discovers that the evil presence hasn't disappeared yet. The director of the award-winning Here Comes the Devil and Late Phases adds a new twist to possession movies in one of this year's Latin American horror surprises.

Inspired by the real-life German special operations unit KG 200 that shot down, repaired, and flew Allied aircraft as Trojan horses, "Wolf Hound" takes place in 1944 German-occupied France and follows the daring exploits of Jewish-American fighter pilot Captain David Holden. Ambushed behind enemy lines, Holden must rescue a captured B-17 Flying Fortress crew, evade a ruthless enemy stalking him at every turn, and foil a plot that could completely alter the outcome of World War II.

Εν τω μεταξύ, ο πράκτορας των Ειδικών Δυνάμεων Doc Alexander καλείται να μεσολαβήσει σε μια εκεχειρία με το μεξικανικό καρτέλ ναρκωτικών με μυστικότητα. Όταν ο κυβερνήτης της Οκλαχόμα Ρίτσαρντ Τζεφς γιορτάζει στην τηλεόραση την εκτέλεση ενός υψηλόβαθμου μέλους του καρτέλ, ο Αρχηγός του Επιτελείου και ο γιατρός του τον ενημερώνουν για την ειρήνη που μόλις τελείωσε. Αλλά είναι πολύ αργά, καθώς ο Κούκο, ο θύλακας του καρτέλ, έχει βάλει στο στόχαστρο εκδικητικά την κόρη του Ντοκ, Ντίξι.

Pacific Coast Academy alumni return to Malibu for an over-the-top wedding that turns into a high school reunion for the books.

Η μικρή Θαμπελίνα είναι το πιο αξιαγάπητο, δροσερό πλασματάκι που έχετε γνωρίσει ποτέ! Ζει αρμονικά στον μαγικό κόσμο των Λουλουδομωρών που βρίσκεται βαθιά κρυμμένος σε κήπους με αγριολούλουδα. Ένα κακομαθημένο κορίτσι, όμως, η Μακένα αλλάζει όλη της τη ζωή, καθώς κόβοντας μερικά αγριολούλουδα μεταφέρει τη Θαμπελίνα μαζί με δύο ακόμη μικρούς της φίλους σε ένα πολυτελές διαμέρισμα στο κέντρο της πόλης. Εκεί, η Θαμπελίνα ανακαλύπτει ένα σχέδιο καταστροφής του μαγικού κόσμου της, για να χτιστεί στη θέση του ένα μεγάλο εμπορικό κέντρο. Τότε, η Θαμπελίνα αποφασίζει να αντισταθεί με την πίστη πως ακόμη και το πιο μικρό πλάσμα στη γη, μπορεί να κάνει τεράστια διαφορά.

Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.

Six college friends blowing off steam on a camping trip, find themselves caught up in a cat and mouse hunt with an Alien monster. Not knowing what to do or who to trust, they struggle to protect themselves. Reluctantly, they join forces with another, seemingly friendly, alien, Ava, who orbits the Earth and appears to them in the form of an avatar. Having only one chance at stopping the monster, they must race to locate and repair the Ava’s earth sent robot, before it slaughters them one by one.

When Jason Dyson refuses to make his prized fighter throw an MMA match, a notorious gangster collects his debt by killing the fighter and kidnapping Jason's daughter. Now he must train a prisoner to endure five consecutive underground fights to save her.

The Making-of James Cameron's Avatar. It shows interesting parts of the work on the set.

When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.