Δώδεκα επεισόδια από τη ζωή της Νανά, κακοπληρωμένης πωλήτριας σε δισκάδικο, η οποία γίνεται πόρνη.

This short features a man who is visited by his ex-lover. The moment she arrives, the man starts his constant barrage of speech; the woman doesn't say much. She just mocks the man and pretends she isn't listening. She pulls faces at him and larks about; while the man is trying his best to get her back in his life, then in the next sentence he says he hates her.

Filmed over a decade, Brief Encounters follows internationally renowned photographer Gregory Crewdson's quest to create his unique, surreal, and incredibly elaborate portraits of suburban life. He sets a house on fire, builds 90 foot sets with crews of sixty, shuts down city streets...all in the service of his haunted image of American life, and his own anxieties, dreams and inner desires. Brief Encounters is an intimate portrait of one of the most heralded image-makers of our time.

This complex allegorical tale tells the story of man’s quest for spiritual meaning. When God enters the body of 1980s filmmaker Simon Donnadieu, his wife Rachel realizes that something has gone awry, but chooses to remain faithful to her erratically-behaving husband.

In a charming mixture of fantasy and reality, this film recalls the great musicals of Hollywood's Golden Age. Yves Montand, playing himself, returns to his hometown of Marseilles to appear in an autobiographical musical. Once there, he searches for the barmaid he once loved and also encounters young hopeful Marion, giving her the chance of a lifetime

'Dalla nube alla resistenza (From the Cloud to the Resistance ) (1978), based on two works by Cesare Pavese, falls into the category of History Lessons and Too Early, Too Late as well. It, too, has two parts—a twentieth-century text and a text regarding the myths of antiquity, each set in the appropriate landscape. Pavese's The Moon and the Bonfires looks back on the violent deaths of Italian anti-Fascist resistance fighters; Dialogues with Leucò is a series of dialogues between heroes and gods, connecting myth and history and returning to an ambiguous stage in the creation of distinctions, such as that between animal and human, which are fundamental to grammar and language itself. Such a juxtaposition of political engagement with profoundly contemplative issues such as myth, nature, and meaning points to the characters of Empedocles and Antigone in the Hölderlin films.' (From "Landscapes of resistance. The German Films of Danièle Huillet and Jean-Marie Straub" by Barton Byg)

Paris, 1995. Laure is about to meet friends for dinner. But on her way out, she discovers that the entire city is stalled by a massive transit strike. When she offers a handsome stranger a ride, Laure takes a highly charged, impossibly erotic detour.

In this story set at a seaside fishing village and inspired by a Charles Kingsley poem, a young couple's happy life is turned about by an accident. The husband, although saved from drowning, loses his memory. A child is on the way, and soon a daughter is born to his wife. We watch the passage of time, as his daughter matures and his wife ages. The daughter becomes a lovely young woman, herself ready for marriage. One day on the beach, the familiarity of the sea and the surroundings triggers a return of her father's memory, and we are reminded that although people age and change, the sea and the ways of the fisherfolk remain eternal.

Μία γυναίκα ζει μόνη της σε ένα μικρό χωριό της Ρωσίας. Μια μέρα παραλαμβάνει το πακέτο που είχε στείλει στον φυλακισμένο σύζυγό της, με ετικέτα «επιστρέψτε στον αποστολέα». Μπερδεμένη και θυμωμένη, αναζητά την αιτία της επιστροφής του πακέτου και ξεκινά ένα πολύ δύσκολο ταξίδι, για να φτάσει στη φυλακή και να λύσει το μυστήριο.

Josef visits a dilapidated Sanatorium to see his father. Josef undertakes a strange journey through the many rooms of the sanatorium, each which conjures worlds composed of his memories, dreams and nightmares.

A subtitle warns, "beware of dark sunglasses." Anna and her lover, whose looks in bowler and bow tie are reminiscent of a young Buster Keaton, kiss chastely on a bridge overlooking the Seine. He dons sunglasses and waves as she runs down a stairway to the river's edge, then watches in horror as she's knocked flat and loaded into the back of a hearse. In vain, he gives chase. Disconsolate, he buys a large funeral wreath and a handkerchief from sympathetic vendors. He removes the glasses to wipe his eyes and realizes they are the cause of all his woe. He replays the farewell without the glasses.

Η ζωή δυο νεαρών ζευγαριών στο Παρίσι του 1965, μέσα από μια ταινία-έρευνα για τη γενιά του Μαρξ και της Coca-Colla. Το Παρίσι των μπιστρό, των σινε-κλαμπ, των ελεύθερων ερωτικών σχέσεων, αλλά και των ατελείωτων φιλολογικών και πολιτικών συζητήσεων.

Lu Jin is a handsome, wealthy hotel executive whose drive for perfection is matched only by his taste for fine cuisine. When he checks into the Rosebud, he's dissatisfied with everything he sees and is ready to take action... until flamboyant female sous chef Gu Shengnan creates the perfectionist what may be a perfect meal. Now, these bitter rivals find themselves brought together in the kitchen in this light-hearted romantic comedy, infused with fun and flavors to create a delicious dish that foodies around the world wouldn't dare to miss.

Pulcinella, a foolish servant, is sent from the depths of Mt. Vesuvius to present-day Campania to grant the last wish of poor shepherd Tommaso, who spent his whole life looking after a crumbling Bourbon estate: his mission is to save a young buffalo named Sarchiapone. Pulcinella takes the buffalo north and the two servants, man and beast, travel through a beautiful and lost Italy.

Pier Ulmann lives from hand-to-mouth in Paris, between construction work and petty theft that he commits on behalf of Rachid, his only “family”. But life catches up with him the day his father is found dead in the street after a long decline. The black sheep of a rich Antwerp family who deals in diamonds, he has left his son nothing, apart from the story of his banishment from the Ulmann family and a thirst for revenge.

Παρίσι, 1967: Ο επαναστατικός αναβρασμός που επικρατεί στα πανεπιστήμια της γαλλικής πρωτεύουσας –τη Ναντέρ, τη Σορβώνη ή τη Μποζάρ– θα φέρει κοντά τέσσερις νεαρούς φοιτητές, που αναζητούν, μέσα από τις διακηρύξεις του μαρξισμού-λενινισμού για την αταξική κοινωνία, το νόημα της ζωής. Απογοητευμένοι από το γαλλικό Κ.Κ. και τον Υπαρκτό Σοσιαλισμό, που παρουσιάζει ήδη με έκδηλο τρόπο συμπτώματα φθοράς, στρέφονται προς την πιο καθαρόαιμη μορφή κομμουνιστικής ιδεολογίας, την οποία ενσαρκώνει στα μάτια τους η Κίνα του Μάο Τσε Τουνγκ. Η γοητεία που ασκεί στην παρέα των διανοούμενων φοιτητών η Λαïκή Δημοκρατία της Κίνας και η προσωπικότητα του ηγέτη της, Mάο Τσε Τουνγκ, θα την σπρώξει σταδιακά προς τον ακραίο ριζοσπαστισμό: την ανάληψη ένοπλης δράσης, με στόχο τη συνειδητοποίηση των μαζών στη βάση της κοινωνίας και την ανατροπή εκ βάθρων του καπιταλισμού.

Εξαιτίας της μακροχρόνιας φιλικής σχέσης των δύο οικογενειών, ο νεαρός Κλοντ Ροκ θα αποφασίσει να πάει διακοπές στο σπίτι των Μπράουν στην βικτωριανή Ουαλία. Οι δύο απομονωμένες Αγγλίδες αδερφές, που ζουν μόνο με τη μητέρα τους, αναπόφευκτα θα έρθουν κοντά στον γοητευτικό Γάλλο.

Προσποιούμενος τον δημοσιογράφο, ο μυστικός πράκτορας Λέμι Κόσιον φτάνει στη διαστημική πόλη Αλφαβίλ αναζητώντας έναν συνάδελφό του. Ανακαλύπτει ότι η πόλη εξουσιάζεται από έναν παντοδύναμο υπολογιστή, γνωρίζει την κόρη του τυραννικού κατασκευαστή του και έρχεται σε σύγκρουση μαζί του, προσπαθώντας να απελευθερώσει τους κατοίκους.

Κατά τη διάρκεια του Σουηδικού καλοκαιριού, δυο νεαρά παιδιά κάνουν την πρώτη τους γνωριμία με τον έρωτα. Ενώ η ξέγνοιαστη αγάπη τους μεγαλώνει, οι γονείς και ο περίγυρος τους βρίσκονται βυθισμένοι στις καθημερινές σχέσεις ρουτίνας. Οι δύο νέοι δυσκολεύονται να εκφράσουν τα συναισθήματά τους με λόγια και έτσι καταφεύγουν σε κρυφά σήματα, σε μια γλώσσα του σώματος…