Another winner from Hungarian director Ivan Szekely (aka S.K. Seeley and Steve Sekely), A Nosty fiu Esete Toth Marival was released in English-speaking regions as I Married for Love. Feri Noszty (Paul Javor) is a handsome but irresponsible Hussar officer who prefers a life of wine, women and song to his military responsibilities. Unwilling to bow to family pressure, Feri refuses to marry heiress Mary Toth (Eva Szorenyi) for her dowry alone. But Mary falls in love with the prideful Feri, and to win his affections she poses as her own poverty-stricken maid. Based on a novel by Kalman Mikszath, A Noszty Fiu Esete Toth Marival was filmed simultaneously in Hungarian- and German-language versions.

Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.

A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.

Through a series of mishaps, the proper bank official Gunnarsson is forced to spend his first days of vacation in the archipelago of Stockholm, both in and out of the water.

Known for his unmistakable cascading strings and recordings such as Charmaine, Mantovani enthralled the world with his sublime arrangements. This is the story of the man and his music.

It's A Bugs' World! Diego and Kicho magically shrink to bug size to rescue Benito the Beetle's dance partner. Help them past giant frogs, anteaters, and even rain to get through Bug World! Diego The Hero! Diego and Baby Jaguar need to help Alicia and some

Alix Cléo Roubaud, a photographer, describes her images to Eustache’s son Boris. An “essay in the shape of a hoax”, Eustache’s last film wittily questions the relationship between showing and telling as it gradually shifts Alix’s narration out of sync with what we see.

Three police officers attempt to nab a serial rapist and pursue him to a construction site. The suspect's body is found dismembered later, with his limbs and torso scattered around three different locations at the site.

In 1923, the young French writer Raymond Radiguet (1903-23) published The Devil in the Flesh, a novel that caused a great scandal by telling the story of the love affair between a married woman and a teenager in the middle of World War I.

A Bankrupt Honeymoon is a 1926 American silent comedy film starring Harold Goodwin and featuring Oliver Hardy.

Anna is a woman who sells flowers at the local market and whose only hope and joy in her life is her only son Amaurys. Raul, Amaurys' best friend, involves him in a drug deal which results in his death.

As the silhouette of a lonely girl runs through the woods, something in the shadows is lurking her.

When his son is kidnapped a man has to face his past demons in speaking to a Mafia don about it.

A fairly conventional romance of an American heiress, loved by boy back home, bedazzled by a glamorous prince in beautiful Italian surroundings.

Seven Samurai: Origins and Influences, a documentary looking at the samurai traditions and films that helped shape Kurosawa's masterpiece

Marat is single, lives alone and works as a security guard. He lives his lonely life according to a never changing boring daily routine. Then, one day, something unusual happens. Marat sees a girl standing in the street near his house. The next day she reappears. The girl is called Mariyam and when she accidentally enters Marat’s life, his nights are turned into adventures.

György Szomjas’s first feature—made after a decade of short documentaries—is a bold attempt at a goulash western, set on the puszta, or Great Hungarian Plain, in 1837. Mixing Miklós Jancsó imagery and a Sergio Leone narrative, this ballad-like saga opens with image of a lone horseman on the empty plain, riding past a rude gallows. The film concerns the vengeful return of a legendary betyár (outlaw), briefly a hero to the local herdsmen who oppose the state building a canal across their grazing land. Although Szomjas works from ethnographic records and archival material, it is hardly surprising that this violent, primitivist film would be more popular with Hungarian audiences than critics. Replete with young guns, crooked sheriffs, tavern brawlers and hardbitten plug-uglies, this widescreen film is strikingly shot by Elémer Ragályi (cinematographer for most of Gyula Gazdag’s films)—a feast of loamy, autumnal colors.

A travelogue celebrating the 1939 Golden Gate Exposition and highlighting its exhibition of classical paintings and stunning lighting effects.