Kida and Makoto grew up together because they have it in common that they don't have parents. And a transfer student, Yotchi, also gets along with them because she has a similar background, which is that they come from not such a good home environment. They spent their school life supporting each other. But, at the age of 20, Yotchi disappeared. Then Lisa, the daughter of a politician and a top model, appears in front of the two men. Makoto takes an unusual romantic interest in Lisa, who lives in a different world from them, and asked her out to dinner, but she does not take him up on it at all. Kida warns Makoto to give up on her because they live in different worlds, but Makoto quits his job and vanishes without a trace.

After her daughter is sold to a new owner, Yolanda (a mannequin head) does the unthinkable.

A phone call that shakes a man's life.

In an economically struggling small town, Jenny, a young married woman, begins an affair with June, her college-bound, African-American neighbor.

Every single mountain in Shanxi is special in appearance, spirit and soul. Each one of them has its long standing story that reveals the depth of its culture, like people from Shanxi have their own story to be unfolded.

Makis works at a fish farm. One morning, as he goes to work, he's told he’s dead… since the day before. After trying in vain to prove he's very much alive, all that remains is to accept the situation and find someone who will take care of his canaries before the funeral.

A look at Pulp's Common People, a song that examines class, politics and Britain in the 90s.

Joon-woo is a passionate fireman who always pursues danger. Hyun believes rational judgement is the only way to save people in danger. The first day at their work place, Joon-woo jumps into the fire to save stranded people in the building in spite of an evacuation order and Hyun tries to stop him. They came to fight. Meanwhile, Ye-rin loves Joon-woo more than he loves himself...

Interview-Documentary with special effects artist Gino De Rossi on the making of "Cannibal Ferox".

William Brown attempts to secure more pay and shorter hours for schoolboys.

Sérgio shaves his beard, getting ready to leave the house. The sun goes down and Sérgio goes to Bairro Alto. Against the wild crowd, he drinks beer, rolls cigarettes, takes drugs. He talks about life and finds a friend. Bairro Alto is his playground. He robs a closed bar and gets in a hassle. He becomes sober again once her friend feels sick, and Sérgio feels responsible for her. He ends up alone in Cais do Sodré. As Oscar Wilde said “One must never regret that a poet is a drunk, but that drunkards are not always poets” and Sérgio is in fact, a poet.

A star rower is forced to join a good school under a pseudonym because his wealthy dad doesn't like schools that have high academic standards.

Yves Montand would have been 100-years-old in 2021. A journey through the 20th century by the son of an Italian immigrant who reached the peak of his art and popularity. The song, the cinema, the commitments, a film all in archives.

Om Bebek who wants to retire as a school bus driver. He and the bus driver, Paman Gembul, want to take the children to school. It turns out that in the middle of the trip, Om Duck's bus was hijacked by a kidnapper and the fate of the children on the bus was threatened