A headmaster and a novelist, looking for inspiration, regard a strange natural phenomenon before sharing stories of their own.

Apathy, technology, paranoia, disease and medication. Meet Arin. Arin is a shy videographer who finds it too much to handle to go out and meet girls, so he sets up an account on meester.net. The flood of responses never comes, save for one email from Susan, a struggling artist who finds her job as a waitress stifling her creativity. Susan is also on the shy side and is seeking an alternative to the classic dating situation. When Arin and Susan finally meet, that alternative dating situation comes to life as the two refuse to communicate verbally with each other, wanting to avoid bs small talk.

Judge Hardy takes his family to New York City, where Andy quickly falls in love with a socialite. He finds the high society life too expensive, and eventually decides that he liked it better back home.

A young boy’s journey as they take his father to his final resting place.

Five short stories.

'Bicycle' is a 90 minute documentary, asking the question 'why is cycling and the bicycle back in fashion?' The film, which is directed by BAFTA winning director and keen cyclist Michael B. Clifford, tells the story of cycling in the land that invented the modern bicycle, its birth, decline and re-birth from Victorian origins to today. The film weaves bicycle design, sport and transport through the retelling of some iconic stories and features interviews with notable contributors Sir Dave Brailsford, Gary Fisher, Chris Boardman, Ned Boulting, Sir Chris Hoy, Tracy Moseley, Mike Burrows and many more, plus great archive, animation and music. 'Bicycle' is a humorous, lyrical and warm reflection on the bicycle and cycling within its place in the British national psyche.

A woman is kept sedated by a cold-blooded kidnapper.

Set in Shanghai, the film revolves around a series of funny stories following a policeman named Liu Meili as he infiltrates a group of gangsters.

Dames at Sea is a musical with book and lyrics by George Haimsohn and Robin Miller and music by Jim Wise. The musical is a parody of large, flashy 1930s Busby Berkeley-style movie musicals in which a chorus girl, newly arrived off the bus from the Midwest to New York City, steps into a role on Broadway and becomes a star. It originally played Off-Off-Broadway in 1966 at the Caffe Cino and then played Off-Broadway, starring newcomer Bernadette Peters, beginning in 1968 for a successful run. The television version was broadcast on the Bell System Family Theater on NBC on November 15, 1971. The cast had extra chorus girls and boys, and there were full production numbers, turning into the very thing it was spoofing. Ann Miller was singled out for praise, especially when "she was allowed to tap out her brassy...temperamental star..."

On a dark and stormy night, Death pays a visit to a very old lady and her dog.

Jose and Diana fall in love while living a world of drug trafficking.

Mallory, who’s biggest fear is growing up, is thrown a surprise party she didn't want until an old friend shows up.

Radúz, the son of a Magurian king, has lost his way hunting in the territory of the Tatra King Stojmír. He learns from his loyal servant Radovid the reason behind the two countries' conflict. When Radúz's mother Nyola married his father, the rejected wooer Stojmír married the evil Princess Runa. Runa out of jealousy continually incites hatred for Maguria. Radúz and Radovid have only just crossed the border when an army commanded by Runa detains them. The white deer that Radúz has killed belongs to the youngest of Stojmír's three daughters, the beautiful and delicate Mahulena.

One man becomes each day more and more fat. The exercise does not help him. Finally he goes to the doctor that finds out his problem: he is pregnant.

The three sons of a Mexican family emigrated to USA end up fighting in WWII.

A runaway cat-loving girl begins a love triangle with a reckless older man and a young biker in high school. The film follows their subsequent chaotic relationships.

Two millennials get into a relationship where they are allowed to meet only on 'Tuesdays & Fridays'.